Media Architecture Institute

In TARMLED 4×4 kommen die weltweit hellsten RGB-Highpower LEDs
(3 in 1 SMD, 3 W) zum Einsatz. Dieses Produkt ist sowohl für den Indoor- als auch für den Outdoor-Einsatz konzipiert und liefert selbst bei direkter Sonneneinstrahlung eine Bildqualität von unübertroffener Brillanz. Die hoch transparente (82%), leichte und modulare Aluminium-Gitterstruktur bietet volle Videofähigkeit und ist flexibel konfigurierbar, z.B. zu einem Zylinder oder in Wellenform. Die einzelnen Module werden nach dem Daisy-Chain-Prinzip miteinander verbunden, wobei über lediglich ein Kabel sowohl der erforderliche Strom als auch die Bildinformationen an bis zu 40 Tiles transportiert wird.

Typische Anwendungen aufgrund der äußerst geringen Windlast und einem Betrachtungswinkel von 140° x 140° sind z.B. großformatige LED Rückwände für Konzertbühnen, großflächige Messedisplays und der Einsatz in der modernen Architekturbeleuchtung

via: Tarmled

Urban Alliance´s mission is to integrate modern communication technologies in the built environment in order to create interactive public spaces and objects. Urban Alliance combines expertise in design, content production, engineering and construction. This way UA is a one-stop-shop for tun-key mediatecture solutions. Urban Alliance works for developers, governments, advisers and architects on projects indoors and outdoors for purposes as city marketing, social safety and arts.

Situated in a breathtaking 7-story high glass atrium, The Comcast Experience is a joint gift to the citizens of Philadelphia from Comcast Corporation and Liberty Property Trust; one that combines sculpture, architecture and technology into an inviting and unique public environment. By transforming a public transportation hub into an artistic focal point for the city, The Comcast Experience encompasses a number of important “firsts.” From a technology standpoint, the world’s largest four millimeter LED wall is 83.3’ wide by 25.4’ high (25.38m x 7.74m), and is comprised of 6,771 Barco NX-4 LED modules. With 10 million pixels mounted in a seamless flat array, the wall provides an extremely high degree of photo-realism — five times the resolution of high-definition television.

• MegaPhone is Phonecall-Controlled, Real-Time, Multi-Player Collaborative Gaming Platform for Big Screens in Public Spaces, but we already said that. What we mean is, it’s a game you control with a phone call.
• MegaPhone is NOT a downloadable application that runs on your phone, and it’s NOT a wireless network, like Wifi or Bluetooth.
• There are two ways to send input to the display: keypad and voice. The keypad can be used much like a video game controller, and the volume and pitch of the phone’s microphone can also become input in the game.
• MegaPhone updates the game state on a shared screen, and can send custom audio and text messages back to each user. MegaPhone uses this mobile channel back to the caller to close the loop on out of home media advertising.

The winning competition entry for the “Espacio de Creación Artística Contemporánea” by Nieto Sobejano architects from Spain proposed the integration of a light- and media façade on the building surface facing the RíoGuadalquivir.

DAISY.WORLD by Thomas Nicolai is the simulation of an artificial self-monitoring ecosystem placed on an urban structure. Comparable to the rules in nature the computer simulation calculates the dynamic growth behavior of two artificial flower populations. Both species and the outer conditions are interlinked in feedback loops to a complex network of interaction – a permanent DRIFT, a spreading and retreat, an incessant self-balancing to adapt to every outer change – finally the idea of assertiveness and will power without supreme intervention. LIFE.

Walking down the Ginza is like strolling through a glossy magazine – and these buildings are the ads. These brand images are largely communicated through the facades, which increasingly resemble screens. The Chanel store uses a facade composed of hundreds of thousands of LEDs – a high-res building-sized video screen. Uniqlo is an exception to the high end brands in Ginza – having built its brand providing basic clothing at reasonable prices. So in contrast to the sleekness of the other facades, our approach at Uniqlo Ginza was to go simple and basic.

The FLARE system

FLARE is a modular system to create a dynamic hull for facades or any building or wall surface. Acting like a living skin, it allows a building to express, communicate and interact with its environment. FLARE turns the building facade into a penetrable kinetic membrane, breaking with all conventions of the building surface as a static skin.

“nature04” is a Computer controlled light work for Lille 2004 – European Cultural Capital, 2004 by Kurt Hentschäger. The project transforms the 20 story Lilleurope Tower into a luminous kinetic sculpture. It´s dramaturgy is based on the idea of a jaquemart, a mechanical public clockwork, the basis of our technologically advanced culture. The mechanical clock, giving the time by slicing it up in standardized temporal units, marks the final transition from experiencing time as a continuum without a beginning and an end to perceiving it as sequential, as a sequence of discrete events lined up on a timeline.

GreenPix – Zero Energy Media Wall – is a groundbreaking project applying sustainable and digital mediatechnology to the curtain wall of Xicui entertainment complex in Beijing, near the site of the 2008 Olympics.Featuring the largest color LED display worldwide and the first photovoltaic system integrated into a glass curtain wall in China, the building performs as a self-sufficient organic system, harvesting solar energy by day and using it to illuminate the screen after dark, mirroring a day’s climatic cycle.The Media Wall will provide the city of Beijing with its first venue dedicated to digital media art, while offering the most radical example of sustainable technology applied to an entire building’s envelope to date. The building will open to the public in May 2008, with a specially commissioned program of video installations and live performances by artists from China, Europe and the US.The project was designed and implemented by Simone Giostra & Partners, a New York-based office with a solid reputation for its innovative curtain walls in Europe and the US, with lighting design and façade engineering by Arup in London and Beijing. Content manager Luisa Gui will coordinate the opening program with software development by New York-based media artist Jeremy Rotsztain.