The Source, an eight storey high kinetic sculpture, is the new symbol for the London Stock Exchange. Every morning, millions of viewers around the world will watch the installation come to life, signifying the opening of the London Markets.
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16ⁿ _ ƒ5³ is an interactive kinetic light sculpture, extending the bi-dimensional screen space, by transposition of its pixel resolution to the physical space. Conceived as a modular infrastructure, 16ⁿ _ ƒ5³ is a communication and computation system, propagating in form of light and sound, the events it inhabits. Presence and motion create and alter the transmitted data, and propagation of this data becomes a space-time parameter.
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The Aquatics Centre in Bejing, commonly known as the Water Cube, will be the home for nearly all of the 2008 Summer Olympics aquatic events. This unusual venue spans some 80,000 square meters, and will have approximately 440,000 LEDs embedded throughout the structure.
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Flow 5.0 is an interactive sculpture by Studioroosegaarde made out of hundreds of ventilators which are reacting to your sound and motion. By walking and interacting an illusive landscape of transparancies and artificial winds is created.
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*”Revolution”* is a new bar in Las Vegas which was created as homage to the Beatles. Moment Factory was given the mandate to create to a mix-media installation combining video projections; LED screens and LED lighting fixtures.
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Texas always does things in bigways, and Victory Park, an urban, mixed-use community/businessdevelopment area that recently opened in Dallas, personifies that grandiose Texan vision. A network of grand-format LED displays, a key component of this entertainment destination, intricately connects visitors to the United States’ largest outdoor, digital-art gallery (part of what is known as Victory Media Network® [VMN]) and binds Victory Park tenants, visitors, sponsors and visual artists into a globally connected media world. Three distinct, yet integrated, display sites comprise the VMN display system, the site’s most visible aspect:
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A three-dimensional matrix of 624 globes, each fitted with 24 LEDs, provides a compelling lighting scenario in the atrium of law firm Allen & Overy’s office building in Bishops Square, London, which was designed by Foster and Partners.
The concept and design of the “Pixel Cloud” was developed and produced by the Jason Bruges Studio in London, together with Ledon Lighting, the Zumtobel subsidiary, which supplied the unique LED luminaires.
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Several new hotel projects have recently opened their doors in the country. Among the is the Lánchíd 19 design hotel, facing the Danube at the foot of Buda’s Royal Palace, a re-launch of a veteran three-star hotel near the capital’s City Park.
The building and its interior are the result of an interesting collaboration between Hungarian architects, graphic artists, photographers and fashion designers.
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The FUSE music-television network, based in New York City, plays rock, alternative, punk, hardcore, emo and indie music. It claims a techsavvy audience ready to interact with the network via the Internet, cellphones and other wireless devices. Fuse recognized its product’s popularity, said Fuse VP of Operations Dave Alworth, but needed an equally effective “public” profile to contend as a new, New York City icon.
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A stunning lighting scheme has recently been designed, supplied, installed and programmed by Lightscape Projects, part of the Light Projects Group, for the Richard Desmond Children Eye Centre which forms part of the Moorfields Eye Hospital. The new building, designed by architects Penoyre & Prasad, is illuminated on the South side using a linear combination of Light Projects and Tryka RGB Colour Changing LED Equipment. The lighting illuminates the façade by casting light on the underneath of the freely placed folded aluminium louvres, on a tensioned cable net suspended in front of glass curtain walling to protect the building from solar gain.
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